Highlights and A Short Biography

1935 - Glenn began recording under his own name for Columbia.  His instrumental ‘Solo Hop’ reached the Top 10.

1937 - Glenn organized his own touring band and signed to Brunswick records.

1938 - The group was unsuccessful, and was disbanded.

1939 - The Orchestra played at the Glen Island Casino, NY, a major swing venue, and was heard on radio.

17 Top 10 hits including ‘Sunrise Serenade’; ‘Moonlight Serenade’; ‘Wishing (Will Make It So)’. Chart-toppers:  ‘Stairway to the Stars’, ‘Moon Love’, ‘Over the Rainbow’, ‘Blue Orchids’, ‘The Man   With the Mandolin’

His ‘Moonlight Serenade’ radio series for Chesterfield aired on CBS three times a week.

1940 - ‘Tuxedo Junction’ sold 115,000 copies the first week.  ‘Pennsylvania 6-5000′ was released.

31 Top 10 hits:  ‘Careless’, ‘When You Wish Upon a Star’, ‘Imagination’, ‘Fools Rush In (Where Angels Fear to Tread)’, and ‘Blueberry Hill’; ‘The Woodpecker Son’.  ‘In the Mood’ and ‘Tuxedo Junction’ were inducted in the Grammy Hall of Fame.

1941 - Another 11 Top 10 hits:  The band made the movie, Sun Valley Serenade, introducing ‘Chattanooga Choo Choo’, soon a million seller.
#1 hits: ‘Song of the Volga Boatmen’, ‘You and I’, ‘Elmer’s Tune’.

1942 - 11 Top 10 hits and 3rd year as the top recording artist with ‘American Patrol’, ‘A String of Pearls’, ‘Moonlight Cocktail’, ‘Don’t Sit Under the Apple Tree (With Anyone Else but Me)’ and (I’ve Got a Gal) In Kalamazoo’ which came from Miller’s second film, ‘Orchestra Wives.
The end of Miller’s dominance of popular music when he received an officer’s commission in the Army/Air Force.
Glenn organized a service band, performed at military camps, and hosted a weekly radio series.

1943 - Two more Top 10 hits including #1 ‘That Old Black Magic’.

1944 - Took his band to Great Britain, performed for the troops and did radio broadcasts.
On December 15th, Glenn Miller boarded a transport plane to Paris, never to be seen again.

1945 - ‘Glenn Miller’, an album of 78 rpm records, topped the newly instituted album charts and became the most successful album of the year.

1947 - ‘Glenn Miller Masterpieces, Vol. 2′ topped the album charts.

1954 - Miller was the subject of a partly fictionalized film biography, The Glenn Miller Story, starring James Stewart.

2003 - Miller posthumously received the Grammy Lifetime Achievement Award.

BIOGRAPHY

“A band ought to have a sound all of its own.  It ought to have a personality.” – Glenn Miller

Alton Glenn Miller was born in Clarinda, Iowa on March 1, 1904. But it was in North Platte, Nebraska, several years later that Glenn actually got his musical start when, one day, his father brought home a mandolin. Glenn promptly traded it for an old battered horn, which he practiced every chance he got. In fact his mother worried, “It got to where Pop and I used to wonder if he’d ever amount to anything.”

In 1923, Miller entered the University of Colorado, although he spent more time traveling to auditions and playing where and whenever he could. After flunking three of his five courses one semester, Glenn dropped out to concentrate on his career as a professional musician.

He toured with several orchestras and ended up in Los Angeles where he landed a spot in Ben Pollack’s group, a band that included a guy named Benny Goodman. Here, Miller also got the chance to write some arrangements. Arriving in New York City, he soon sent for, and married his college sweetheart, Helen Burger in 1928, and for the next three years, earned his living as a free-lance trombonist and arranger.

Miller played and recorded with the likes of Tommy and Jimmy Dorsey (who on several of their records, featured an up-and-coming singer by the name of Bing Crosby), Gene Krupa, Eddie Condon and Coleman Hawkins. In addition, during that time, Glenn cut 18 sides for Goodman, and also worked for radio studio conductors like Victor Young, Carl Fenton and Jacques Renard. In 1934, Miller became the musical director of the Dorsey Band, and later went on to organize The Ray Noble Orchestra, which included such players as Charlie Spivak, Peewee Erwin, Bud Freeman, Johnny Mince, George Van Eps and Delmar Kaplan, among others.

In April 1935, Glenn Miller recorded, for the first time, under his own name. Using six horns, a rhythm section and a string quartet, he recorded “Moonlight on the Ganges” and “A Blues Serenade” for Columbia. But selling only a few hundred records, he continued his position with the Noble Orchestra.

In 1937, Glenn Miller stepped out to form his own band. There were a few recordings — one for Decca and one for Brunswick — a couple of week-long stints in New Orleans and Dallas, and many one-nighters, but it was not to be. Though the group would play one more date several days later in Bridgeport, Connecticut, Glenn gave his men their final notice on New Year’s Eve at the Valencia Ballroom in York, Pennsylvania. Broke, depressed and having no idea what he was going to do, he returned to New York City.

It is said that Miller could never remember precisely the moment he decided to emphasize his new reed section sound. But it was during this disheartening interim, that he realized the unique sound — produced by the clarinet holding the melodic line while the tenor sax plays the same note, and supported harmonically by three other saxophones — just might be the individual and easily recognizable style that would set his band apart from all the rest.

Formed in March 1938, the second Glenn Miller Orchestra — which would later include the likes of Tex Beneke, Marion Hutton, Ray Eberle, Paul Tanner, Johnny Best, Hal McIntyre, and Al Klinck — soon began breaking attendance records all up and down the East Coast. At the New York State Fair in Syracuse it attracted the largest dancing crowd in the city’s history. The next night it topped Guy Lombardo’s all-time record at the Hershey Park Ballroom in Pennsylvania. The Orchestra was invited by ASCAP to perform at Carnegie Hall with three of the greatest bands ever — Paul Whiteman, Fred Waring and Benny Goodman — and created more of a stir than any of them.

There were record-breaking recordings, as well, such as “Tuxedo Junction”, which sold 115,000 copies in the first week. “In the Mood”, and “Pennsylvania 6-5000″, all appearing on the RCA Victor Bluebird label. In early 1940, Down Beat Magazine announced that Miller had topped all other bands in its Sweet Band Poll, and capping off this seemingly sudden rise to the top, there was, of course, Glenn Miller’s “Moonlight Serenade” radio series for Chesterfield cigarettes which aired three times a week over CBS.  In 1941, it was off to Hollywood where the band worked on its first movie, “Sun Valley Serenade”, which introduced the song — and soon-to-be million selling record –”Chattanooga Choo Choo”, and featured the Modernaires and the Nicholas Brothers. Then came “Orchestra Wives”. But the war was starting to take its toll on many of the big bands as musicians, and the rest of country’s young men, began receiving draft notices.

On October 7, 1942, Alton Glenn Miller reported for induction into the Army and was immediately assigned to the Army Specialist Corps. His appointment as a Captain came after many months of convincing the military higher-ups that he could modernize the army band and ultimately improve the morale of the men. His training complete, he was transferred into the Army Air Corps, where he ultimately organized the Glenn Miller Army Air Force Band. Miller’s goal of entertaining the fighting troops took another year to be realized, but in late 1943 he and the band were shipped out to England.

There, in less than one year, the Glenn Miller Army Air Force Band engaged in over 800 performances. Of these, 500 were broadcasts heard by millions. There were more than 300 personal appearances including concerts and dances, with a gross attendance of over 600,000. But Glenn was not to participate in the final six months of these activities.

In the Fall of 1944, the band was scheduled to be sent on a six-week tour of Europe and would be stationed in Paris during that time. Miller decided to go ahead, in order to make the proper arrangements for the group’s arrival. And so, on December 15th, Glenn Miller boarded a transport plane to Paris, never to be seen again.

In his book “Glenn Miller & His Orchestra”, George Simon wrote this about the man. “His favorite author was Damon Runyon. His favorite book was the Bible. Spencer Tracy and Olivia de Havilland were his favorite movie actor and actress. His big loves were trout fishing, playing baseball, listening to good music, sleep and money. His pet hates were bad swing, early-morning telephone calls (he liked to sleep from 4 a.m. to noon), and the phrase ‘goodbye now’. His favorite quotation, one he stated, was not from the Bible, nor from Runyon, but from Duke Ellington: ‘It Don’t Mean a Thing If it Ain’t Got that Swing!’